Arthur Machen's The Great God Pan 3XLP set is now on sale!
Arthur Machen’s phenomenal story, The Great God Pan has just been released as an exquisite 3XLP set by Cadabra Records.
Laurence R. Harvey’s reading of Machen’s tremendously important touchstone of weird fiction is beautifully performed. The reading brings the story to life and elevates the experience to an incredible degree!
It was extraordinary for me to compose and perform the soundtrack for this vinyl release. For the score I played a wide variety of electronic and acoustic instruments. The instrumentation I recorded for this soundtrack includes analog and digital synthesizers, electronic string arrangements, dulcimer, tamboura, acoustic guitar and harmonium. Barry Knob masterfully produced the music and also contributed electronic bass to select themes.
Weird fiction expert, S.T. Joshi provides a fascinating and insightful essay about Machen and The Great God Pan.
Karmazid’s art for the marvelous deluxe triple gatefold jacket is full of brilliance and a hallucinatory timelessness.
Cadabra Records founder, Jonathan Dennison absolutely nailed the outstanding layout and went to incredible lengths to make this a jewel of a release on every level!
Here are more details from Cadabra Records:
Arthur Machen, The Great God Pan 3x LP set, Read by Laurence R. Harvey, score by Chris Bozzone
About:
* Limited pressing on 150 gram vinyl
* Fully unabridged reading
* Printed on a deluxe triple gatefold jacket
* Essay by weird fiction scholar S. T. Joshi
* Newly commissioned art by Karmazid
As read by Laurence R. Harvey, the novella's scope is conveyed in various means, wherein Harvey alters with considerable skill his narration in order to present all manner of intimate conversations and inner thoughts. You see, Arthur Machen's novella, The Great God Pan, written in the waning years of the 19th century, combines the science fiction trope of man meddling in affairs beyond which he ought (as introduced in Mary Shelley's Frankenstein half a century prior) and the pagan mysteries of nature, as explored by Machen himself in "The White People" around the same time.
When science meddles in the world of natural law in stories such as these, the results are invariably horrific and bring ruin upon all who engage with it. However, it is the long tail of destruction wrought by Dr. Raymond's opening experiment upon the young woman, Mary, which resulted in the veil being lifted from her sight and allowing her to see the Great God Pan. As these intersecting stories are related, Harvey's ability to switch effortlessly between straightforward, logical delivery of men of means and science and those who believe in the mystery being explored allows him to properly imbue the material with its emotional heft.
When Herbert says to Villiers, "That woman corrupted my soul," the tone of the reading is very much of "a haunted man, a man who has seen hell." Harvey conveys perfectly the sound of someone who is broken beyond description by his encounter with Helen Vaughan, and the heart of the listener must be hard as diamond to not break at hearing it.
Composer Chris Bozzone stretches his talents with the score for this release. Much as Harvey's reading of The Great God Pan encompasses many voices and emotional milieus, Bozzone's score is just as maleable. The soundtrack to young Helen Vaughan's frolics in the woods is a mixture of sitar and guitar, picked in a manner which resembles a hammer dulcimer. It creates a tone simultaneously psychedelic and pastoral, which brings to mind the possibility of "depths and horrors more frightful still," as is mentioned by Clarke when the events of the story's beginning start to intrude upon the events which occur later.
Bozzone mirrors the pastoral with the urban by taking the percussive nature of the guitar picking and utilizing a similar effect via arpeggiated synthesizer. It's absolutely brilliant, demonstrating that while this story might span decades, the events of one period stand next to each other as though happening in quick succession. Occasionally, a flute will lilt through The Great God Pan, and when paired with a harp during the relation of "The Suicides," is as melancholy as anything the composer has yet done.